In retrospect, perhaps Rafael was being just a bit over-protective of his paramour.
The theater was serious business to Nellie, and the other actresses and crew and so on. As well it should be – it was their livelihoods, their family, their community. No doubt were it not for their work at the Vic, many of the actresses would be reduced to mere prostitutes. While Rafael could not fathom the depth of their ambitions (regardless of how many theaters he had written for, how many productions he had been involved in, and how many more years stretched ahead in these spaces), his mind was all too willing to consider... foul play.
Every time he told himself it was silly to think this of the others at the Vic, he once again thought of how ill poor Nellie had been; the retching, the fatigue, even the swelling of her poor feet. A day or two could be dismissed as food that had gone off, or perhaps nerves, or over-indulging in drink the night before. But this had been happening intermittently for weeks now, with no sign of improvement. Even so, Rafael would have been content to call it some malady, had an alternative thought not been whispered to him:
Poison.
No doubt the suggestion had been made more as a drunken jest than in truth; the woman had said it in the tone reserved for appropriately melodramatic acts and thoughts, a stage whisper meant to carry across the room. And, yes, Rafael had laughed... at first. But Nellie had not improved, and so he had felt moved to more drastic actions, such as hiring someone to investigate. A normal investigator, though, simply would not do. Nellie had sworn that such a thought was silly – though not with such ardor that Rafael thought her truly convinced. So, without telling her quite what he was doing (nor asking for permission from the manager of the theater), he had hired the talents of a magician. A medium, someone who could (hopefully) merely walk into the room and speak to the truth of the matter.
The man had been quite well-recommended, by the self-same soprano who had suggested poison in the first place. (Rafael did note the connection there, but thought little else of it; he would rather be a fool parted with his money than risk his beloved's life any longer.) Now, having smuggled the man into Nellie's own dressing room, he hovered not unlike a particularly nervous expectant husband. "I apologize again for the subterfuge, but not all would appreciate the need for your talents, my friend." The words were far more to fill the space and the silence than to placate the man; Rafael's fingers nervously played with the rings on his fingers, even as he tried to keep the worst of his fear from his face. "Do you... feel anything?"
The theater was serious business to Nellie, and the other actresses and crew and so on. As well it should be – it was their livelihoods, their family, their community. No doubt were it not for their work at the Vic, many of the actresses would be reduced to mere prostitutes. While Rafael could not fathom the depth of their ambitions (regardless of how many theaters he had written for, how many productions he had been involved in, and how many more years stretched ahead in these spaces), his mind was all too willing to consider... foul play.
Every time he told himself it was silly to think this of the others at the Vic, he once again thought of how ill poor Nellie had been; the retching, the fatigue, even the swelling of her poor feet. A day or two could be dismissed as food that had gone off, or perhaps nerves, or over-indulging in drink the night before. But this had been happening intermittently for weeks now, with no sign of improvement. Even so, Rafael would have been content to call it some malady, had an alternative thought not been whispered to him:
Poison.
No doubt the suggestion had been made more as a drunken jest than in truth; the woman had said it in the tone reserved for appropriately melodramatic acts and thoughts, a stage whisper meant to carry across the room. And, yes, Rafael had laughed... at first. But Nellie had not improved, and so he had felt moved to more drastic actions, such as hiring someone to investigate. A normal investigator, though, simply would not do. Nellie had sworn that such a thought was silly – though not with such ardor that Rafael thought her truly convinced. So, without telling her quite what he was doing (nor asking for permission from the manager of the theater), he had hired the talents of a magician. A medium, someone who could (hopefully) merely walk into the room and speak to the truth of the matter.
The man had been quite well-recommended, by the self-same soprano who had suggested poison in the first place. (Rafael did note the connection there, but thought little else of it; he would rather be a fool parted with his money than risk his beloved's life any longer.) Now, having smuggled the man into Nellie's own dressing room, he hovered not unlike a particularly nervous expectant husband. "I apologize again for the subterfuge, but not all would appreciate the need for your talents, my friend." The words were far more to fill the space and the silence than to placate the man; Rafael's fingers nervously played with the rings on his fingers, even as he tried to keep the worst of his fear from his face. "Do you... feel anything?"
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