With a given name as aspirational as “Sterling,” maybe it is no surprise that Kildare clawed his way from his working-class childhood into editor’s chair of a known, if struggling, London weekly. He navigates the Review with a keen mind and sharp eye, and is ruthless about what belongs in the paper and what doesn’t. The owner has insisted upon only truthful reporting, but Sterling knows, too, that the truth isn’t always what sells papers.