Introduction
"Love is the only thing that we can carry with us when we go." — Louisa May Alcott
Appearance
Notable Features
She is exceptionally tall for a woman.Personal Style
The first thing most people notice about Philippa is her height, and she is not unaware of this. Only through her mother's constant reminders did she come through childhood without developing a permanent hunch. She stands straight now and perfectly poised, but the "deficiency" of her stature is never far from her mind.A second look reveals a woman with enviably fine bone structure and extraordinary grace of movement. Her golden hair offsets her large blue eyes, and she is always dressed with an impeccable eye. She could count on one hand the number of people still living who have seen her mussed.
Philippa, Baroness Carrington
Circumstances
Currently
Despite the difficulties associated with her height, Philippa crafted for herself a peerless persona of generosity and innate grace. Her marriage was a love match that enraptured the ton when it was made in her second season, and her children are charming beauties. Before his death, her husband was an amiable fellow well-liked by all of his peers. After his death, Pippa is seen as the model of the lovely widow. There are presently whispers of her being secretly courted by the Duke of Somerset, but she had put the kibosh on Archie's advances, insisting they be only friends. Only love would induce her to marry again.Health & Capabilities
Pippa is in relatively good health, if only for the sake of her daughters. The first year following her husband's death, her deep mourning affected her profoundly both mentally and physically. For a number of months she was quite frail. She is, however, well equipped with practicality, and with the support of her parents, was able to revive her senses and improve her overall well-being. She strives to maintain a positive outlook, but she is yet subject to occasional bouts of melancholy, which she hides from her friends and family.Socioeconomics
Pippa was born into relative wealth, and married into it as well. For most of her life, the prosperity of first her parents and then her husband kept her worrying about very little monetarily. With her husband's death, however, and the his lack of a direct male heir, the primary source of her family's income has been removed. Eugene set aside funds for his family, but they are now firmly middle class, and with two girls debuting within the next five or six years, money has become a concern for the first time. Pippa is applying all her practical skills to the problem, but she finds it frustrating and upsetting, even if she would never let anyone know.Skills & Talents
Typical feminine accomplishments such as needlework and flower-arranging.Musical aptitude, particularly on the harp and piano.
Effusive, descriptive journaling for the purposes of documentation.
Gardening, particularly roses.
Present Relationships
Father: Gilbert St JohnMother: Millicent St John, nee Astley
Children:
Evelyn Carrington
Esther Carrington
Archibald Seymour, Duke of Somerset - Family friend
Adella Sturridge - Old friend
Identity
Hobbies
FashionGardening
Playing and writing music
Reading
Social work and activism
Personality
The better part of Philippa's life has been definited by her height. Her mother was not cruel about this "defect," but let it never be said Millicent St John is not a practical woman. Being comfortable in one's skin can be a daunting task when you're constantly reminded of the need to distract from your faults. That Pippa was bullied by other children was certainly no help.The result was a young woman who felt she needed to be the most accomplished, most extraordinarily poised person in the room. If she could not sink into herself and lurk in corners, by necessity she would have to strive for the perfect alchemy of beauty and grace. How else could she possibly attract a husband when she was so hideously tall?
Never in her dizziest daydreams did Pippa imagine for herself a love match, and even after marriage she found herself a frequent state of disbelief over her impossible luck. It took years for Eugene's steadfast affection to chip away at her insecurities. Having two daughters of her own made perhaps the biggest difference, and in teaching Evelyn and Esther to love themselves, she's learned something about how to do that, too.
With the full two years of mourning her husband behind her, Philippa is still the elegant and poised woman she crafted for herself so long ago, but it is a grounded largesse which underpins this as much, or more so, than the old insecurities. She is an attentive and kind woman who loves to laugh, and wishes she took herself a little less seriously as she muddles through what it means to be a widow.
Background
History
Born Philippa Elizabeth St John on the 23rd of January 1856, the first and only child of Gilbert St John, the eldest son of landed gentry, and Millicent St John, the daughter of a Viscount. From a carefree early childhood spent principally in the country rose, at about age eight, the condition that would plague Philippa for the entirety of her life: Her height.Women are not meant to be tall, they are not meant to explode into their adolescence in a mass of gangling limbs, they are not meant to tower, particularly over anyone of the male persuasion. Stilts, Bean Pole, Miss High Pockets — Pippa has heard every name in the book. Were it not for her mother's firm hand, she never would have stood up straight again. "Some men may not care for a girl who is tall," Millicent insisted, "but no man cares for a girl who slouches." Her father afforded her a gentler approach, soothing over the worst moments with quiet words and warm hugs, but the seeds of insecurity rooted themselves deep within her psyche nevertheless. It took several years the beginning of her first deportment lessons for Pippa to comprehend that, abominably tall or not, she was not without weapons.
From age ten to eighteen, she honed these weapons to the finest possible point. A girl of her physical stature could not get away with being lazy in her comportment — She needed to be, and would be, perfect. Beautiful, accomplished, impeccably poised, and so generous of spirit that you could not feel jealous of her without also feeling guilt. Despite that she could look over nearly all of the heads in a ball room by the time she debuted, Pippa became one of the prizes of the ton during her two seasons.
She had never expected love. But then, as she has learned, love cares very little for what you do or do not expect from it.
Eugene Carrington, the newly-minted Baron Carrington, was everything she could have hoped for in a partner: Funny, intelligent, honest almost to a fault; Warm brown eyes and thick dark hair that he had to wrestle flat. Pippa stood three inches higher than him on bare feet, but he didn't care. He was enraptured by her; she was enraptured by his being enraptured. They were the grand, impossible love story of their season.
For over ten years they remained that way. They had only daughters, but Eugene loved them with an ease and depth that made Pippa's chest ache. He wanted more, he said, wrapped around his laughing wife in bed — Daughters, sons, anything. More love. To get, to give, to hang onto like his life depended on it.
Only it hadn't, or he wouldn't have died gasping alone on a dusty summer road. A snake had spooked his horse, they said. Tucked in his saddlebags: Two porcelain dolls and a box of chocolates for his three favorite girls.
Having two young children, Pippa discovered, was the surest way to move past profound grief. She felt as small and bowed as ever in her childhood, and might have at last let herself hunch into a permanent dark corner were it not for Evelyn and Esther. They became her guiding light and wrenched her bodily from the deepest depths of her grief. They three took the full two years of mourning at the Carrington country estate until Pippa began worrying about taking advantage of the new Baron's generosity. Eugene's cousin was a kind man, and loathed the city, he said; as long as they abided his presence from time to time, he would be glad for them to stay at the house in Notting Hill as long as they liked.
A house that Philippa redecorated to make their own, only to now feel a stranger within its familiar walls. Eugene did not leave his family destitute, but still Pippa worries when their lives now rest on the generosity of a man they scarcely know.
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