Introduction
No one knows what it's like
To be the bad man
To be the sad man
Behind blue eyes
And no one knows what it's like
To be hated
To be fated to telling only lies
- "Behind Blue Eyes", Limp Bizkit -
To be the bad man
To be the sad man
Behind blue eyes
And no one knows what it's like
To be hated
To be fated to telling only lies
- "Behind Blue Eyes", Limp Bizkit -
Appearance
Notable Features
✎ A scar on his chin that could have been much worse—though, in truth, he carries much worse: scars all over his chest, back, and legs. Remnants of a torture that lasted longer than he cares to remember.✎ A tattoo of a painting on his back, a forest near his childhood home. His safe place, where his mind would escape to when the pain became unbearable. Another tattoo on his right forearm, a quote: "Go n-éirí leat." May you succeed.
He has more tattoos, with no special meaning.
Personal Style
There are two ways one might gaze upon Mark: the first is the state of a man who has drunk too much, his clothes dirty and stained—what with, only the Lord knows—his face twisted, greasy hair, a bad smell, and the stench of alcohol filling your lungs. Not a sight worth seeing. And then, there is Mark at his best—well-kept, as presentable as possible, all thanks to his dear "friend" and secretary, Mister Patrick Fisher. In this state, he looks handsome, even alive, almost kind. On his working days, Mark wears old clothes, but those are his best days—his mind too occupied to think of anything else.Circumstances
Currently
His status, if it can be called that, is that of one living awake but not truly alive. Mark was once an artist, his paintings capable of stirring emotions in the coldest of hearts. But that was before the war. Sent to places no one should speak of, on missions so secretive he should have perished in them, he has changed. He married young, out of love, in good health and wealth, never considering the possibility that his love might not be there to welcome him home, to help him banish the nightmares. And so, everything he fought for is now gone, his resolve shattered.He sold everything, bought a place that became both his business and his home, accepting work only when the need for coin arises—his talents known to all. Now, he withers away, alone, drowning in drink, his heart as hardened as leather, his will nothing more than a faint whisper lost in the crowd.
Health & Capabilities
Funny enough, his health has yet to deteriorate, but no one would call it perfect. Despite his tendencies to drink, he restrains himself more than anyone thinks he's capable of, driven by the promise he made to Michaela. Still, every year, without fail, he falls ill on the first day of winter for at least a week. After all, having been in the army, as a true soldier, he is well-defined and muscular—his daily exercise routine born not out of a ridiculous desire to be fit, but because of the enemies he gained during the war.Socioeconomics
As his parents, and Mark himself once he reached adulthood, were well off and wealthy, he never faced financial struggles. There had been investments made in his name that he hadn't touched in ages, and after selling almost all of his property and cutting his expenses to a minimum, it’s clear that the man works out of pleasure, not necessity.Skills & Talents
✎ Carpentry ✎ Sword-making ✎ Fencing ✎ Shooting ✎ Painting ✎ Playing the accordion ✎ Boxing ✎ Drinking without losing conscience ✎ Creativity ✎ Detail-oriented ✎ Lying ✎ Multitasking ✎ Out-of-the-box-thinking ✎ Reading people ✎ Self-defence ✎ Stamina ✎ Survival skills ✎Identity
Hobbies
✎ Carpentry✎ Drinking
✎ Sleeping
✎ To be left the fuck alone
And, deep inside, he still loves:
✎ Painting
✎ Sword-making
✎ Fencing
✎ Listening to the songs of birds in the morning
✎ Crafting
✎ Boxing
✎ Racing
Habits & Routines
There's not much to say at the moment. Wake up, work, get grumpy, exercise, drink, repeat.Background
History
Mark’s story is steeped in sadness, tangled in the weeds of "what ifs" and "if onlys." It is not a tale that fills hearts, but one that tears them apart. And so, it goes.Born into a family of merchants, Mark was acquainted with the world in all its vastness—its cultures, its wonders, its marvels, and its cruelties. His parents raised him to be an educated man, as refined as one born into royalty. No expense was spared on their son; there was no amount of money they would not spend if it meant he would grow better, if it meant enriching his mind and spirit. And Mark never failed to amaze them, showing his gratitude by surpassing every expectation.
As brilliant as he was, his true talent lay in his hands. There was little he could not do with them—his swordsmanship was flawless, his aim impeccable. But it was his art that truly made people shudder. From the moment he could hold a tool, it was undeniable that God had smiled upon him. Carpentry, sword-making, crafting of any kind, music—nothing resisted him. Everything came as naturally as breathing. And painting... painting was his true calling. At just fourteen, he sold his first portrait, and many more followed. His name spread like wildfire, known to both nobles and commoners alike, until it reached the ears of the woman who would steal his breath—and his heart.
Michaela Forestburg was a beauty and a force to be reckoned with. She spoke her mind, never allowing anyone to guess her thoughts or desires, and Mark admired that. He loved her wit, her laughter, the way her brow arched when she was mocked, or how her nose wrinkled when she was infuriated. But beyond that, she was honest, true to herself in a way he could not help but envy and admire. What he lacked in wit, she had in abundance. Where he had the soul, she had the heart. It was a perfect match, really—one where love was also a friendship. Conversation was never lacking, never boring. Never enough. Their talents were cherished, their flaws forgiven and overlooked. They loved not only who they first fell for, but who they were becoming, too. The young, innocent love evolved into something more mature, something solidified. Before they knew it, they were married. But their happiness, somehow, wasn’t enough.
As the son of successful merchants and business owners, he had everything he needed. As a famous painter, he had everything he wanted. Yet, for someone as talented as him, where was the glory? Even when the court called upon him for a portrait, no one would look at his tiny signature at the bottom. No one would remember his name. So, full of dreams beyond reach and foolish ideas of glory, he enlisted in the army, promising to return in one piece, covered in medals, his name ringing in everyone’s ears—and in History. He promised to live, no matter what. To conquer all.
Little did Mark know that there was no pride in hands covered in blood. Little did he know that true talent was not shared, but hidden away for the pleasure of generals, used to do the dirty work no one dared to speak of. The first kill was the hardest, always wondering who that other man was. Did he have dreams too? Whose son was he? Whose husband? Whose brother? Then one kill turned into ten, ten into a hundred, and sooner than later, he had lost count. And it was too late when he realized that his name would still not be remembered. His efforts hidden, no medals awarded to the dogs who did the kingdom’s dirty work. And that was how Mark MacQuaid lost his soul—for the price of nothing.
By the time he returned home, dismissed and retired, he found solace in the hope that, at least, his family would support him, hold him, until the pieces could be put back together. But he arrived to find corpses claimed by scarlet fever. And that was how Mark MacQuaid lost his heart.
Since then, he has stayed awake—as we said—but not alive.
He sold everything, though he never could bring himself to part with his art supplies or paintings, and started a business as a carpenter in a decent part of London, near the middle class, where his name was already known and everyone was thrilled to get his services. Not so much because of his personality. As a man who feels nothing and cares about nothing, Mark gained a reputation as a respected craftsman. However, his behavior tended to get the best of him—he turned down jobs if they weren’t needed or if he disliked the person. After all, it’s not as though he needed the coin. His expenses were few, with no wife or children, his life simple, his only companion the drink.
With the exception of one prostitute, that is— a friend with whom he found the fleeting pleasure of pretending to be another man. She, in turn, found in him the luxury of being well-treated for her services, like a woman and not a dog.
But do not be fooled. That kindness means nothing.
Mark MacQuaid has no heart. And no soul.
Plotting