Introduction
But giving into the nighttime ain't no cure for the pain ~ you gotta wade into the water, you gotta learn to live again
Appearance
Notable Features
Prone to a characteristically dreamy, somewhat unfocused expression, especially when he's not paying close attention to what his face is doing.(Please note that while Daniel suffers from an advanced stage of retinitis pigmentosa and is losing his vision, the condition does not change the physical appearance of his eyes.)
Personal Style
There is a narrow needle's eye to thread between understated and simply cheap, and Daniel has...missed it. In a musician, worn fabrics and outdated styles can be passed off as charming eccentricity; in a viscount, inattention to such details is a liability. Good tailoring is a marker of class, after all. He knows he needs to spend the coin, but a certain contrariness of character has him dragging his feet.Daniel Wheeling-Hare
Circumstances
Currently
Daniel is miserably conscious that every part of his current situation is a poor fit: the title he never wanted; the siblings he must parent; the society he's rarely navigated. The grief of losing so many loved ones in the tragedy of a moment weighs just as heavily as his new responsibilities, and added to all that pressure is the struggle to hide his deteriorating eyesight from his fellow peers and—as long as possible, at least—from his remaining family members. His determination to do all of it perfectly is already straining him apart at the seams. He desperately needs help, but he's spent the majority of his life relying on no one but himself, and his valued independence has become far more of a liability than an asset.Health & Capabilities
Daniel would publicly insist that he is in excellent, in fact perfect physical health, without the slightest cough or tremble or hint of any malady. He can ride, and hunt, and dance, and the fact that he is doing all of these things noticeably less and less as months pass by is a matter of changing taste, nothing more.Privately, he knows that his world is closing in as steadily as the tunneling of his vision. The darkness at the edges of his sight began years ago, and at first he scarcely knew that anyone saw the world differently. The progression was slow. By the time he reached one-and-twenty, however, he could no longer deny the truth, and by thirty, his field of vision had reduced to straight ahead, like a horse in carriage harness. Since then, circumstances have only grown worse. The blurriness at the edges is now full darkness around a decreasing center of light, and he's lost all ability to distinguish words or notes on the page in candlelight.
He can still play all the pieces that he's memorized, but he knows that his time for learning new music--or writing compositions of his own without significant aid--is growing terribly short indeed.
Socioeconomics
The members of the Wheeling-Hare household have always been comfortable, and Daniel has been no exception. That cushion of status--and more crassly, cash--allowed him the luxury of following his musical aspirations where another third son might have been bought into the military or shuffled into advantageous marriage.Skills & Talents
n Talented at a number of instruments, including the violin and cello, but extraordinarily skilled at the pianon Reading and composing music
n Fluent in French
n Proficient in German
n An excellent rider (if somewhat lacking in practice)
Present Relationships
n Mariel Wheeling-Hare: Younger sister (11)n Nathaniel Wheeling-Hare: Younger brother (8)
n Tess Newman: Housekeeper
Identity
Hobbies
Music is Daniel's love, first and foremost, and he's just as keen to listen to it as he is to perform it himself. He collects sheet music, and while he increasingly struggles to read it, he can't quite stop himself from buying it anyway for pieces he especially admires. Along the same lines, he recently made the extravagant purchase of an American wax cylinder graphophone.That joy doesn't entirely make up for the activities he used to love that he can no longer easily do because of his failing sight--riding and reading, in particular. His once-favorite horse is too anxious and high-spirited to be trusted under an uncertain rider. Confined to the stable, he's growing sedentary and bored (much like Daniel himself).
Fortunately, young Mariel likes the sound of her own voice enough that she rarely balks at reading aloud, no matter the subject.
Background
History
The Title XIt is a truth not universally acknowledged, but a man of inarguably low circumstances and unexpectedly excellent luck might still make something great of his life by showing courage and resilience in battle. Such was the fate of Henry Wheeling-Hare at the Battle of Vitoria in the year of our Lord 1813. For saving the lives of half his regiment, along with a lieutenant colonel of particular favor to the queen, he earned the distinction of Grand Commander of the Order of the Bath...as well as a viscounty and an impressive parcel of land to support it. Peerage, with all its complicated economic and social obligations, did not come easily to poor Henry, whose own ancestry involved shopkeepers and parcel-tiers. Even so, he married well and did his best and left an eldest son to carry on the title.
The second Viscount Briarewe was amiable in the extreme and far more popular with both his tenants and his fellow nobles than his father had ever been. Malcolm would never be regarded as particularly clever, but like his father, he married well—this time, in the sense that the Viscountess Annalise proved to possess a skeptical, practical and thrifty mind to balance her husband's genial generosity. Like so many marriages of their class, theirs was not a love match. They resolved to be partners, however, and true affection grew between them, only increasing with the addition of one, then another, and then a third son to their family.
The Musician X
Daniel Jonathan Wheeling-Hare was born into comfort of all sorts. As youngest son, he had no worries about the responsibilities of inheritance, and his elder brothers took the brunt of his parents' disciplinary attention and academic ambitions. Considered shy and sensitive, he was often left to follow his own inclinations, and from his youngest years, all his interest and passion aligned in the pursuit of music. His mother had played and sung to great praise in her youth; she gladly bestowed all her experience (and perhaps some thwarted personal ambition) upon her youngest son. With such encouragement, he improved by extraordinary leaps, and while he'd once been judged the whimsical dreamer of the family, he proved more than willing to play his fingers down to the bone in pursuit of excellence on the keys.
He hadn't intended to make a career of it—or of anything, of course, given his situation—but after a celebrated performance in front of the royal family at fifteen years of age, his world opened up in unexpected ways. His original path, dull but certainly doable, had led from Eton to Oxford and probable marriage. Instead, he received an invitation to study under a pianist in Paris. Then in Frankfurt. Then in Vienna. Separated from his family for the first time, he learned a self-reliance that would later serve him well. He also developed an independence of mind, body and spirit that he came to value more than almost anything else.
The sudden death of his mother shook that new confidence. It also forced his return to England, where he completed his studies at Cambridge, rather than following in his father's and brothers' footsteps at Oxford. But home seemed unendurably different without the Viscountess, and he resumed his travels as quickly as possible—first on the Continent, and then much further afield.
He skirted the edges of Africa, India, and the Orient. The sounds and sights fascinated him, and he learned both the true value of a shilling and the best ways to stretch it in all directions. He also began to come to terms with the fact that his vision, never good, was growing ever so gradually worse. In America, he visited a physician that had little to offer beyond an uncertain diagnosis and a pair of spectacles that he could only rarely bring himself to wear. The silver lining was finding new inspiration—not in the gilded bustle of New York or the odd familiarity of Boston, but in the uneasy cultural mélange of the American South, where pain and joy and rhythm were combining in ways he had never before imagined.
Amid so much inner and outer turmoil, the news of his father's remarriage came as a shock. Too proud to admit he felt betrayed, he lingered in Charleston until any hope of reaching London before the wedding had passed. He kept finding excuses for two long years.
Finally, he received a letter with news he couldn't bear to ignore. A sister, twenty-five years his junior, had been born on the first of May.
He returned to Briarewe to find that his father had remarried for the only worthwhile reason: love, at last. He couldn't pretend that sort of sentiment towards his new stepmother (a scant four years older than him), but from the moment he held tiny Mariel in his arms, all need for pretense dissolved. Love poured out of him like lifeblood, more pure and profound than any music he'd ever heard or made.
He'd meant to return to America within weeks. Instead, he stayed for over a year, watching his sister surmount the many milestones of infancy with unexpected enthusiasm. While he chafed under the renewed expectations of his family and their life in society, he accepted the discomfort as the price of enjoying their company. When his travels resumed, they no longer lasted so long or strayed so far. His previous wanderlust could no longer obsess him. The birth of another brother within a few years reinforced his decision to make a true place for himself with his restructured family.
The Tragedy X
That he was therefore in London for his father's rapid decline and death was a mixed blessing and curse. Despite their heartbreak, the Wheeling-Hare household found solace in each other, and the dowager Viscountess—widowed twice, now—remained a solid presence in the family even when Samuel took on the title and all its responsibilities. The birth of the next generation in Samuel's son, Henry Malcolm, gave them all a badly-needed touchstone of joy during the next year.
Like their late mother, Samuel considered himself a connoisseur of the arts. Daniel found his family interested, abruptly, in sometimes accompanying him to his performances and the exhibitions and events that often surrounded them. So much togetherness admittedly strained his patience. He still cherished his independence, and moreover, the secret of his deteriorating sight was becoming more and more difficult to hide from those who loved him best. Maintaining a precarious equilibrium struggled against a growing tide of his own guilty resentment. When the Viscount proposed that the entire family make a journey to Paris for the third annual exhibition by the Société des Artistes Indépendants, he was able to agree with only an internal gnashing of teeth.
They departed in April for two months in France. The voyage itself went well, with pleasant spring days split between the calm of the countryside and the excitement of the city. He reestablished acquaintances with whom he had fallen out of contact in the years since his Paris studies, and the exhibition did not disappoint. If he spent more late evenings in the company of musicians and performers than his family, well. Minor rebellion could be forgiven in a man suffering increasing hints from that family about settling down into a domestic tranquility of his own.
Daniel, who had promised a performance in London on the 2nd of July, returned to England two weeks ahead of the rest. With him he brought Mariel—much to her disappointment—and Nathaniel, who had suffered a minor fever and was judged better able to recover in the country air at home. His stepmother, his brothers, and their extended family would return by ship at mid-month.
He received word of the sinking of the Laureate on July 17th, 1887. All crew and passengers drowned.
So profound a loss seemed to open a rip straight through the fabric of the world. For some weeks, the darkness beyond the broken stitching was all he could see. The bodies of the Viscount and Viscountess were recovered from the wreckage. The others were not, and the burial, while finished, felt incomplete. The same sense of absence and emptiness lingered in the hushed halls of Briarewe, and for the second time in Daniel's life, the manor no longer felt like home. Nothing fit correctly; no one could endure such an adjustment. Packing up his devastatingly small household and preparing the spend the Christmas season in Mayfair was a welcome distraction.
Plotting
Romance
Honestly, Daniel never planned to marry. His love of music superseded all else in his early adulthood, and the years of travel that followed prevented him from developing any longterm romantic connections. He tripped over his heart into an idle relationship or two, mostly physical, but a terror of surrendering his cherished independence discouraged anything more. His vision of the future involved his family...but generally at something of a distance, and he couldn't envision the sort of partnership that his parents had found with each other.His most (relatively) enduring romance was an on-again, off-again relationship with an actress in Paris, but after months of being pushed aside and relegated to occasional evenings and sporadic correspondence, she ended the misery for both of them just before his return to London in June.
He is utterly unprepared for the reality of being a freshly-minted, never-married viscount, in London, right before the opening of the season.
May the good Lord have mercy upon him